The Albumen Print - Photographic Processes Series - Chapter 6 of 12

Panoramic Photos

Panoramas are some of the most engrossing images in the world of photography. They are known for capturing more of a particular scene by merging multiple shots—taken by panning the camera horizontally or vertically—in a single image. As a result, a larger scale of a space is captured, allowing viewers get a wide-angled field of view and a more realistic perspective of a place.

Common panoramic scenes include views of the shore, indoor and outdoor architecture, cityscapes and skylines, mountaintops, and even human subjects at social gatherings. With a panorama feature available even in many smartphone cameras, anybody can take a panorama with virtually any camera, giving everybody a chance to capture stunning panoramic images that audiences can observe, wonder, and immerse themselves in, from beginning to end.

In theory, capturing panoramas is fairly easy. You probably already have the perfect place and view in mind, and the only thing left to do is to actually take an awesome panoramic photo of it. But before you aim your camera, make sure you take the following steps:

Compose Your Image
Use a “Normal” Lens
Level the Tripod
Determine Your Exposure
Make Necessary Image Edits
Stitch Your Photos into a Panorama

https://www.adorama.com/alc/how-to-take-a-panorama-using-any-camera/

Small World Collage

Requirements

6 projects, one canvas.

Complete 6 projects

Create a new canvas

Use gradient tool for background

Move and transform images

Use drop shadow on each image

In class demonstration

How Fast Is Fast?—Harold "Doc" Edgerton

https://infinite.mit.edu/video/how-fast-fast%E2%80%94harold-doc-edgerton

Dr. Harold E. Edgerton's Stroboscope Light

1. Describe the function and significance of Dr. Edgerton's stroboscope light in examining machinery in motion.

2. Explain how the technology behind Edgerton's flicker box allows for ultra slow motion photography.

3. Discuss the impact of capturing fast-moving objects, like a bullet, on our understanding of motion and technology in film.

https://youtu.be/O-3zrwRuPvg

Understanding the Innovations of Harold Edgerton

1. Describe the significance of the stroboscopic light developed by Harold Edgerton. How did it change the way motion was captured in photography?

2. Discuss how Edgerton’s work with high-speed photography contributed to advancements in other fields, such as engineering or military applications. Provide specific examples mentioned in the video.

3. Reflect on Edgerton's philosophy regarding education and learning. How did his approach influence his teaching methods and the experiences of his students?

1 Trillion Frames Per Second Camera

https://web.media.mit.edu/~raskar/trillionfps/

Femto-Photography: Visualizing Photons in Motion at a
Trillion Frames Per Second

Ripples of Waves: A time-lapse visualization of the spherical fronts of advancing light reflected by surfaces in the scene.

Time-Lapse Visualization: Color coding of light with a delay of few picoseconds in each period

Frequently Asked Questions

How can one take a photo of photons in motion at a trillion frames per second?
We use a pico-second accurate detector. We use a special imager called a streak tube that behaves like an oscilloscope with corresponding trigger and deflection of beams. A light pulse enters the instrument through a narrow slit along one direction. It is then deflected in the perpendicular direction so that photons that arrive first hit the detector at a different position compared to photons that arrive later. The resulting image forms a "streak" of light. Streak tubes are often used in chemistry or biology to observe milimeter sized objects but rarely for free space imaging.

Can you capture any event at this frame rate? What are the limitations?
We can NOT capture arbitrary events at picosecond time resolution. If the event is not repeatable, the required signal-to-noise ratio (SNR) will make it nearly impossible to capture the event. We exploit the simple fact that the photons statistically will trace the same path in repeated pulsed illuminations. By carefully synchronizing the pulsed illumination with the capture of reflected light, we record the same pixel at the same exact relative time slot millions of times to accumulate sufficient signal. Our time resolution is 1.71 picosecond and hence any activity spanning smaller than 0.5mm in size will be difficult to record.

How does this compare with capturing videos of bullets in motion?
About 50 years ago, Doc Edgerton created stunning images of fast-moving objects such as bullets. We follow in his footsteps. Beyond the scientific exploration, our videos could inspire artistic and educational visualizations. The key technology back then was the use of a very short duration flash to 'freeze' the motion. Light travels about a million times faster than bullet. To observe photons (light particles) in motion requires a very different approach. The bullet is recorded in a single shot, i.e., there is no need to fire a sequence of bullets. But to observe photons, we need to send the pulse (bullet of light) millions of times into the scene.

What is new about the Femto-photography approach?
Modern imaging technology captures and analyzes real world scenes using 2D camera images. These images correspond to steady state light transport and ignore the delay in propagation of light through the scene. Each ray of light takes a distinct path through the scene which contains a plethora of information which is lost when all the light rays are summed up at the traditional camera pixel. Light travels very fast (~1 foot in 1 nanosecond) and sampling light at these time scales is well beyond the reach of conventional sensors (fast video cameras have microsecond exposures). On the other hand, LiDAR and Femtosecond imaging techniques such as optical coherence tomography which do employ ultra-fast sensing and laser illumination capture only the direct light (ballistic photons) coming from the scene, but ignore the indirectly reflected light. We combine the recent advances in ultra-fast hardware and illumination with a reconstruction technique that reveals unusual information.

What are the challenges?
Fastest electronic sensors have exposure time in nanoseconds or hundreds of picoseconds. To capture propagation of light in a tabletop scene we need sensor speeds of about 1 ps or one trillion frames per second. To achieve this speed we use a streak tube. The streak camera uses a trick to capture a one dimensional field of view at close to one trillion frames per second in a single streak image. To obtain a complete movie of the scene we stitch together many of these streak images. The resulting movie is not of one pulse, but is an average of many pulses. By carefully synchronizing the laser and camera we have to make sure each of those pulses look the same.

How will these complicated instruments transition out of the lab?
The ultrafast imaging devices today are quite bulky. The laser sources and high-speed cameras fit on a small optical bench and need to be carefully calibrated for triggering. However, there is parallel research in femtosecond solid-state lasers and they will greatly simplify the illumination source. In addition, progress in optical communication and optical computing shows great promise for compact and fast optical sensors. Nevertheless, in the short run, we are building applications where portability is not as critical.

Light in Motion: Combination of modern imaging hardware and a reconstruction technique to visualize light propagation via repeated periodic sampling.